Anonymous: Why not fall in love?

brianashanee:

I got shit to do

117112 1 day ago via / source
3179 1 day ago via / source

micdotcom:

Beautiful photo project empowers women to embrace their stretch marks

Follow micdotcom 

6209 1 day ago via / source

» Disney Dudes' Dicks: What Your Favorite Princes Look Like Naked

80 1 day ago via / source
46926 1 day ago via / source

deathtakesapicklechip:

sashas-piece-of-bread:

zzbbtt:

i dont think i’ll ever stop reblogging this shit

ITS BACK

did it ever really leave?

366138 1 day ago via / source
2199 2 days ago via / source

cartooncanine:

•ᴥ• Samoyed Puppy Hugs #4

7081 2 days ago via / source
Deconstructing Masculinity & Manhood with Michael Kimmel @ Dartmouth College
48990 2 days ago via / source

deathtakesapicklechip:

misha collins is always sweaty and that’s great.

Mickey Milkovich (rivetingly played by Noel Fisher) first made his mark in an unexpected Season 1 sexual encounter with teenage Gallagher son Ian (Cameron Monaghan). Ian, established as gay early in the series, receives tacit support from the handful of family members and friends to whom he comes out. Mickey, by contrast, is a profoundly closeted neighborhood thug: a belligerent, grubby kid with the words “FUCK U-UP” tattooed on his knuckles … who also happens to be an exuberant bottom. However, instead of writing off this hook-up as another one-time moment of comedic outrageousness, Shameless has made Mickey’s arc a surprisingly sensitive one, examining the impact of poverty and family violence on the character’s life.

Mickey has been raised in a household ruled by terror. The Milkovich brood is overseen by tyrannical father Terry, who is often out of sight (thanks to frequent incarceration), but never far out of mind. Mickey’s appearance is disheveled: at times visibly dirty. His speech is littered with wisecracks and put-downs. He’s cagey and mean and picks fights. All of these at-once repugnant qualities are undercut by viewers’ slow, sobering realization: This is how an abused child survives. Because, as we discover in both subtle clues and scenes of explicit brutality, Terry’s hairpin trigger rage is calibrated to fire at any mention of homosexuality.

… In tiny increments since his first encounter with Ian, and at clear risk to his own safety, Mickey has pushed himself further and further past his fear. We are reminded of the time Mickey, returning from a stint in juvenile detention, greeted Ian with a deceptively terse, “Missed ya.” Of Mickey and Ian’s first kiss, hurried and nervous, long after they began meeting for sex. Of the futile, single-word plea – “Don’t” – when Ian told him he was enlisting in the Army. Of Mickey’s hesitant response to a stranger who asked, of his relationship with Ian, “Did you guys just meet last night, or are you together?”

Finally, after a pause: “Together.”

This, all of this, is what coming out looks like. And this is what Mickey Milkovich’s relevance truly hinges on: not only an acknowledgment of the suffering and self-denial that is still a reality in the lives of many LGBTQ people; but the validation that coming out is not irrelevant or passé or an all-or-nothing game. No matter how small and unwhole these acts of disclosure may seem, they are still brave.

Showtime’s Shameless has changed TV’s “coming out” scripts and led audiences through a winding, protracted, and ultimately triumphant coming out story from one of the most subversive queer characters on television. (via mandyfuckinmilkovich)
7073 2 days ago via / source
#AH #dean
651 2 days ago via / source

iwatchforsasha:

Fantastic Breasts and Where to Find Them

83673 2 days ago via / source

daemontool:

straight people are terrifying they can go as far as to give the girl skeleton a pair of bone titties to indicate its a straight relationship

207194 2 days ago via / source

c0lin-m0rgan:

'Dad's on a hunting trip, and he hasn't been home in a few days'

image

174051 2 days ago via / source
aausten